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THE ONE THAT GOT AWAY
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            THE ONE THAT GOT AWAY

I know I'm empty handed, and I don't like to brag a lot
But let me tell you a story, about the kind of luck I've got
I swear that it's the truth - you can believe it or not

     You should've seen the one that got away
     Silky hair, bedroom eyes, and a great pair of legs
     I thought I had her hooked by the look on her face
     But she twisted and turned and escaped
     You should've seen the one that got away

I'd already caught my limit, but I just had to reel her in
She was a real free spirit, she played my line, then let me win
But when she saw my net, she slipped back to sea again

     You should've seen the one that got away
     Silky hair, bedroom eyes, and a great pair of legs
     I thought I had her hooked by the look on her face
     But she twisted and turned and escaped
     You should've seen the one that got away

You should've seen the one that got away


          Written by Jeffrey Scott Stewart and Steve Trinward
          Copyright Blue Clover Music (ASCAP) / trinSongs


    

    

   
 

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Style: Honky Tonk, Country, Country/Rocks

MY OL' STOMPIN' GROUND
HONKY-TONK OPERA
IF I KNEW AN ANGEL
QUEEN OF THE NEON
OUT OF THE QUESTION
THE ONE THAT GOT AWAY
EMPTY BOTTLES
I'LL LET THE JUKEBOX DO MY TALKIN'
A WOMAN LIKE THAT
HONEY, DON'T YOU DARE
THE RECIPE
JESUS IN A BOTTLE
I CAN'T GO HOME
YOU CAN'T STAY HERE

   
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Co-Writer(s)
 


Writer(s):  Steve Trinward and Jeffrey Scott Stewart (see www.JeffreyScottStewart.com )

Steve Trinward has been a writer/communicator all his life. After a good Christian raisin' (and a strong college-prep education) in the White Mountains of Western Maine, he migrated to college in Boston, MA, where he learned to challenge authority ... and question just about everything (except perhaps why it took him 25 years to leave there?). He moved to Nashville in 1993, seeking fresh turf, a warmer climate and "the right place to be a writer"; he now sees Music City as "the true home I was always looking for."

Steve's past careers include: newspaper reporter, editor and columnist; political activist and candidate; technical writer, proofreader and word processor; computer network manager, technical support rep, consultant and systems troubleshooter. Since he came to Nashville, he's worked at a variety of office jobs, even did some data-cable installing, before breaking an arm in a ladder-fall in August '95. (Despite this setback, he resumed guitar-lessons -- focusing on improving and expanding his melodic, harmonic and rhythmic vocabulary.) For three years, he performed various administrative and accounting functions for a local fiberoptic systems integration firm, before leaving in the spring of '99 to start his own business, trinWORDS (but if you've somehow gotten here, you know that part ...).

Steve has been writing songs since 1970, including regular co-writing, both during the 80s and now. Musical influences include Bob Dylan; Joni Mitchell; the Beatles, Eagles and Beach Boys; Bruce Springsteen; Patty Larkin and David Wilcox (along with numerous writer-friends of thus-far-lesser reputations). Favorite non-music writers: Harlan Ellison, Jean Auel, Richard Adams, Hunter Thompson, W. P. Kinsella, J. R. R. Tolkien, Robert Heinlein and Spider Robinson. Other interests: Vandy women's basketball, the Red Sox and Braves, Libertarian Party politics, Science of Mind Church and egg-shaking/ harmonizing at the Mike Williams Six-Chair Pickin' Parties.

Eight years ago, Steve visited Nashville for the first time, and became convinced that the current roster of Burr, Chapman, DiPiero, Henry, Kaset, Peters, Prestwood, Reid, Sanders, Schlitz, Seskin, Taylor-Good, et al. had somehow inhabited the souls of Porter, Gershwin, Hammerstein, Hart, Rodgers, Kern & Co. Almost overnight, he became a staunch defender and devotee of country music, declaring it "about the only place where they still write songs for intelligent humans." Despite the continuing "pop-ification" of that realm, very little has happened since to change that opinion.

Steve's musical accomplishments include acceptance to and completion of the 1996 ASCAP Country Songwriting Workshop, several dozen co-writes with multiple partners, continued guitar-skills improvement, and a catalog of over 100 pitchable songs. He is co-organizer, booker, promoter and sometimes performer for the "Kathy's Night Off" writers' nights. Other activities include membership on the Steering Committee of the Tennessee International Jazz Festival and its charity, the Scattin' in the Schools music education program. He also assists with Sunday School classes and a Babe Ruth baseball team.
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Other Song(s) Written with Jeffrey Scott Stewart:  Honky-Tonk Opera,
Pull Over, In the Movies, et al.

  
     

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Notes
 

  
This song holds the distinction of being the very FIRST song that my friend and co-writer Steve Trinward ever wrote together.   He came over to my apartment for one or two sessions, and we wrote this light-hearted tune.  We still joke because I wrote his name down as "Steve Trinsdale" originally . . . I suppose the lyrics could apply to a lot of women who've touched my life, captured my attention, and then were gone . . . but I always think of one in particular when I sing it . . . the same one I had in mind when I wrote it . . . I'll never tell . . .




- Jeffrey Scott Stewart

       

 

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